February 16, 2017
Jiří Kylián’s pupil and faculty artist in residence Fiona Lummis discusses the expanding legacy of emblematic choreographers from the second half of the 20th century as she stages Kylián’s “Stepping Stones” (1991) at The Houston Ballet.
February 8, 2017
Since their first onscreen match-up on ABC’s Dancing with the Stars, dancers Jessica Lee Keller and Christopher Scott have been making several dance worlds meet. The two use their contrasting dance backgrounds—hers primarily balletic and his beginning with tap and hip-hop styles—to blend cohesive hybrid movements.
February 7, 2017
How’s this for an “only at USC” experience? Fifteen freshman and sophomore Bachelor of Fine Arts dance students spent a day in January dancing outside the Griffith Park Observatory for a commercial that premiered on Super Bowl Sunday in key markets around the country.
The 60-second Discover Los Angeles ad, which appeared in pregame and kickoff spots in three U.S. cities, will run for 14 weeks and air during the Grammy Awards and the Academy Awards.
Watch the ad and read the complete article on USC News.
February 6, 2017
Gillian Finley, USC Kaufman’s newest lecturer, joined the faculty this spring and has an extensive background in both ballet and teaching. She has danced with Ballet Pacifica, Nevada Dance Theatre, and Eugene Ballet; along with a B.A. in Dance from the University of California Irvine, an M.A. in Arts Management from American University, and a Stott Pilates certification, Finley has dance experience that makes her the perfect fit for USC Kaufman’s blend of conservatory dance and university education.
February 1, 2017
Five hip-hop dancers and educators gathered at the USC Glorya Kaufman School of Dance on Jan. 26 to share stories of their backgrounds and insights on the evolution of the art form. Visiting artist and award-winning breaker Raphael Xavier joined faculty members Tiffany Bong, E. Moncell Durden, d. Sabela Grimes and faculty artist in residence Victor Quijada in the discussion.
January 30, 2017
By Alvaro Montelongo
Working with Victor Quijada, founder and co-director of RUBBERBANDance Group, has been a challenging and fulfilling journey. It is not often that we get to go on two hands and upside down, as dancers or as everyday pedestrians.
January 27, 2017
USC Kaufman faculty member William Forsythe is bringing his four-act ballet “Artifact” to Boston Ballet as a part of his five-year contracted relationship. In a recent article, the Boston Globe’s Karen Campbell writes about Forsythe’s connection with the company.
“…the dancers love working with Forsythe, too. “We’re incredibly excited,” confirms soloist Patrick Yocum following the rehearsal. He says “Artifact,” the third Forsythe work in which he has danced, demands intense concentration, and he calls it “wonderful, strange, shocking.””
Read more about the staging process at the Boston Globe.
January 24, 2017
The Hubbard Street Dance Chicago Los Angeles Summer Intensive at USC Kaufman was featured in the January 2017 issue of Dance Magazine. The two-week program will be hosted for the second year at the Glorya Kaufman International Dance Center, June 19-20, 2017.
“The new Los Angeles program complements Hubbard Street’s well-established pre-professional intensive in Chicago, but the two offer vastly different experiences: Chicago attendees take a range of technique classes, attend career talks and learn Hubbard Street rep, while dancers at USC spend the majority of their time with one choreographer (a different dance maker will lead each year’s intensive), creating a new five-minute work,” writes Dance Magazine’s Claudia Bauer.
Read the article on Dance Magazine
January 23, 2017
By Celine Kiner
Raphael Xavier does not waste time.
Within the first ten minutes of our very first rehearsal, he had jumped into a cardio workout filled with breaking footwork. We were not ready.
January 20, 2017
Open to all university students–dance experience or not–Tap Dance 189a with lecturer Christian Vincent focuses on “rhythms, syncopation, and musicality, developing into complex steps and elementary dances with progressive understanding of weight change, improvisation, and combinations of sound.” We asked Vincent, whose credits range from Prince and Stevie Wonder to “She’s All That” and “The Wedding Planner,” a little more about his class and about tap dance: